![]() ![]() He knows he is about to be killed, but he doesn't yell, he doesn't scream, he doesn't panic. These two words also summarise Muldoon's entire character. 'Clever girl' is Muldoon admitting defeat, acknowledging that the raptors have him. After a few seconds' pause, while the audience is processing the situation, the raptor bursts from the trees and kills Muldoon. This line of dialogue, paired with the incidental music, foreshadows what's about to happen. He, in a quiet, breathy voice, says just two words: "Clever girl". Because of the way the scene has been constructed, those two words stand out to us. Something bad.Īfter a scene with no talking, and almost no noise, Muldoon says only two words. Now the incidental music kicks in, with a deep, dangerous bass note. The face of a second raptor pokes through the prehistoric foliage. Then, beside him, at the background of the shot, a movement in the trees. We get a close-up profile shot of his face as he takes aim. Muldoon sees the raptor through the trees ahead of him, its face partly obscured by ferns. Nothing but the click of the rifle being fitted, the slight movement of the trees, and, just twice, the sound of a strange, alien insect in the distance. The composer selects very specific close-up shots, which has the effect of making Muldoon's actions appear systematic, and controlled. No dialogue is necessary to communicate any of this. Every movement is precise and considered. We see close-ups on his hand and his gun, as he unfolds the stock, carefully, methodically, snapping it into place with a quiet, definite click. We see a shot of him stepping delicately through the undergrowth, making barely a noise. We see a close-up shot of Muldoon's face, his eyes sharp and focused, his brow dripping with just a few beads of sweat he is both absolutely confident in his abilities, and afraid, at the same time. This scene is meticulously crafted, and really great to analyse. In Muldoon's final scene, he knows there is a velociraptor outside the bunker and so he steps outside, to hunt it. He speaks plainly, and calmly he is focused and deliberate, a precise man who knows exactly what he is doing. Throughout the movie, a lot of effort goes into showing how competent and experienced he is. Muldoon was the gruff, no-nonsense, veteran hunter who was appointed by Hammond as Warden of Jurassic Park. It was full of memorable scenes that have entered our collective pop culture consciousness, but for me, no scene in that movie is more memorable, or more perfectly executed, than the death of Robert Muldoon. It had a compelling story and a solid cast of great actors. It was a commercial and critical success, and its clever and pioneering blend of CGI and physical effects had a profound effect on how movies looked for over a decade after its release in 1993. The original Jurassic Park is an objectively great movie. I'm talking about Muldoon's final words in Jurassic Park. It's only two words long, it's a man talking to a dinosaur, and it is awesome. However, there is one line of dialogue that I consider to be the greatest in modern cinema, and it's not between two people, or even between a man and his volleyball. In a movie with essentially one character, dialogue, rather than being sidelined, is critically important to the success of the story. For the majority of 'Cast Away' Chuck Noland talks to himself, or to Wilson, a volleyball with a face painted on it. Typically dialogue involves more than one character and is usually presented as discourse - a conversation. Our Tutoring Services Coordinator, Fiach Smyth, shares his critical analysis of one the scenes from Jurassic Park, and shows how you analyse dialogue in a film - something which a lot of students struggle with. As well as being the primary mover of the plot, what a character says, and how they interact with other people, is one of the easiest ways to develop, and then communicate, a character to the audience. If the text you are analysing is a movie, one of the things you're probably going to look at is dialogue.
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